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Ground-breaking Comedian Richard Pryor Dies At Age 65

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posted Sunday, 11 December 2005


"Richard was giant. He was an innovator, he was a trailblazer, and the way he used social commentary in his humor opened up a universe for other comics to follow"
                                                                                                                            - Filmmaker Spike Lee

 


 


US comedian Richard Pryor dies at age 65


Ground-breaking African-American comedian and actor Richard Pryor died of a heart attack at the age of 65, his wife said.

Pryor died at Encino hospital near Los Angeles, Jennifer Pryor told CNN.

The pioneering stand-up comic and actor who broke barriers with his unflinching racial satire had been in declining health for years after being diagnosed with multiple sclerosis in 1986.

Pryor was born in Peoria, Illinois in December 1940 and had a tumultuous childhood -- his grandparents ran a brothel, according to one official biography. He dropped out school, served in the army from 1958 and 1960, then began touring the United States and Canada doing stand-up comedy in clubs.

But after years of clean-cut shows in the vein of Bill Cosby, Pryor famously walked offstage in the middle of a performance in Las Vegas, after staring into the audience and asking, "What the f--- am I doing here?"

Two years later he was back with an explosive new act, full of colorful language, vulgarities, and racial epithets, and tough street characters whose monologues reflected despair and disillusionment with life in America.

"His performances, enhanced by his use of body language, captured the personalities of the numerous black characters he created to ridicule and comment upon the circumstances under which African Americans lived. It was revolutionary humor," according to The Museum of Broadcast Communications.


With subject matter ranging from sex to drugs to street life and race relations, Pryor made some in his audience uncomfortable, but his popularity soared. His career blossomed to encompass television and movies.

In 1998, he was given the first Mark Twain Humor Prize by the Kennedy Center for the Performing Arts in Washington, an award named after the famous American humorist and author.

 "I feel great about accepting this prize. It is nice to be regarded on par with a great white man - now thats funny!," he said upon accepting the award. "Seriously, though, two things people throughout history have had in common are hatred and humor. I am proud that, like Mark Twain, I have been able to use humor to lessen peoples hatred!"

Comedian Robin Williams said of Pryor in 1991: "He broke the evnvelope, he pushed it beyond anything anyone could dream of," a comment echoed by others leading artists on news of his death.

"For me, Richard was giant. He was an innovator, he was a trailblazer, and the way he used social commentary in his humor opened up a universe for other comics to follow," filmmaker Spike Lee said.



Biography Of Richard Pryor 

Richard Franklin Lennox Thomas Pryor (December 1, 1940 – December 10, 2005) was an American comedian and actor.

Born in 1940 in Peoria, Illinois, Pryor grew up in his grandmother's brothel. His first professional performance came at age 7, when he played drums at a night club. [1]

A gifted storyteller known for unflinching examinations of race and custom in modern life, Pryor shattered many barriers for African American stand-up comedians. Though he frequently used colorful language, vulgarities, as well as racial epithets (such as "nigger"), he reached a broad audience with his trenchant observations. Pryor was often ranked among the best stand-up comedians.

Pryor was at his best when he took the tragic events that happened during his life and made them a part of his onstage routine in concert movies and recordings such as "Richard Pryor: Live & Smokin'" (1971), "That Nigger's Crazy" (1974), "Bicentennial Nigger" (1976), "Richard Pryor: Wanted – Live In Concert" (1979) and "Richard Pryor: Live on the Sunset Strip" (1982).

Early career

Early in his career, Pryor was a more middlebrow, nonthreatening comic in the Bill Cosby tradition. The first five tracks on the 2005 compilation CD Evolution/Revolution: The Early Years (1966-1974), recorded in 1966 and 1967, capture Pryor in this embryonic stage.

In September 1967, Pryor had what he called in his autobiography Pryor Convictions an "epiphany" when he walked onto the stage at the Aladdin Hotel in Las Vegas (with Dean Martin in the audience), looked at the sold-out crowd, said over the microphone "What the fuck am I doing here?", and walked off the stage. Afterward, Pryor began working at least mild profanity and the word nigger into his act. His first comedy recording, the eponymous 1968 debut release on the Dove/Reprise label, captures this particular period, not long after that breakdown.



Mainstream success

In 1969 Pryor moved to Berkeley, California, where he immersed himself in the counterculture and rubbed elbows with the likes of Huey P. Newton and Ishmael Reed. He signed with the comedy-centric independent record label Laff Records in 1970 and recorded his second album, Craps (After Hours). Not long afterward, Pryor sought a deal with a larger label, and after a protracted period of time, signed with Stax Records. His third, breakthrough album, That Nigger's Crazy, was released in 1974 and, Laff, who claimed ownership of Pryor's recording rights, almost succeeded in getting an injunction to prevent the album from being sold. Negotiations led to Pryor being released from his Laff contract in exchange for the small label being allowed to release previously unissued material, recorded between 1968 and 1973, at their leisure.

During the legal battle, Stax briefly closed its doors. Pryor then re-signed with Reprise/Warner Bros., who immediately rereleased That Nigger's Crazy on the heels of his first album under his new Reprise/Warner Bros. deal, ...Is It Something I Said?. With every successful album Pryor recorded for Warner Bros. (or later, his concert films and his 1980 free-basing accident), Laff would quickly publish a hastily-compiled, badly-packaged album of old material to capitalize on Pryor's growing fame - a practice the label would continue until 1983.

Comfortably successful and into the zenith of his career, Pryor visited Africa in 1979. Upon returning to the United States, Pryor swore he would never use the "N" word in his stand-up comedy routine again. (His favorite epithet, "motherfucker", remains a term of endearment on his official website to this day.)

In 1983 his status as a major worldwide star was confirmed when he signed a five year contract with Columbia pictures for $40,000,000 [2]

Pryor appeared in several popular films including Lady Sings the Blues, The Mack, Uptown Saturday Night, Silver Streak, Which Way Is Up?, Car Wash, The Toy, Superman III, Brewster's Millions, Stir Crazy, Moving, See No Evil, Hear No Evil and Blue Collar. In four of his films, he co-starred with Gene Wilder. He also co-wrote Blazing Saddles directed by Mel Brooks and starring Gene Wilder. Pryor was to play the sheriff in "Blazing Saddles", but the film's producers were unsettled by his vulgarity and Mel Brooks chose Cleavon Little instead, although Pryor still co-wrote the script. Of particular note is "The Toy", known equally as being one of Jackie Gleason's last projects.

The freebasing incident and its aftermath

On June 1, 1980, Pryor set himself on fire while freebasing cocaine. Pryor made this part of his heralded "final" stand up show "Richard Pryor Live On Sunset Strip" (1982). After joking that the incident was actually caused when he dunked a cookie into a glass containing two different types of milk, he gave a poignant yet both funny and serious account of his accident and recovery, then poked fun at people who told jokes about it by waving a lit match and saying "What's this? It's Richard Pryor running down the street." Interviewed in 2005, Jennifer Lee Pryor said that Richard poured high-proof rum over his body and torched himself in a drug psychosis. In a TV interview during his recovery Pryor said that he tried to commit suicide.

He didn't stay away from live stand-up too long, though - in 1983 he filmed and released a new concert film and accompanying album, Here And Now, which he directed himself. He then wrote and directed a fictionalized account of his life, Jo Jo Dancer, Your Life Is Calling.

In 1986, Pryor announced that he suffered from multiple sclerosis. In 1992 he gave some final live performances, excerpts of which appear on the ...And It's Deep Too! box set. He continued to make occasional film appearances, pairing with Wilder one last time in the unsuccessful 1991 comedy, Another You (in which his physical deterioration was noted by many critics). His final film appearance was a small role in the David Lynch film Lost Highway in 1997.

Later life

In his later years, Richard Pryor was confined to a wheelchair due to multiple sclerosis. In late 2004 his sister claimed that Pryor lost his voice. However, on January 9, 2005, Pryor himself rebutted this statement in a post on his official website, where he stated, "Sick of hearing this shit about me not talking... not true... good days, bad days... but I still am a talkin' motherfucker!"

In 1998, Pryor won the inaugural Mark Twain Prize for American Humor from the John F. Kennedy Center for the Performing Arts. According to Former Kennedy Center President Lawrence J. Wilker, "Richard Pryor was selected as the first recipient of the new Mark Twain Prize because as a stand-up comic, writer, and actor, he struck a chord, and a nerve, with America, forcing it to look at large social questions of race and the more tragicomic aspects of the human condition. Though uncompromising in his wit, Pryor, like Twain, projects a generosity of spirit that unites us. They were both trenchant social critics who spoke the truth, however outrageous."

In 2000, Rhino Records remastered all of Pryor's Reprise and Warner Bros. albums for inclusion in the box set ...And It's Deep Too! The Complete Warner Bros. Recordings (1968-1992).

In 2002, Pryor and his wife/manager Jennifer Lee Pryor, won the legal rights to all of the Laff material - almost 40 hours of reel-to-reel analog tape. After going through the tapes and getting Richard's blessing, Jennifer Lee Pryor gave Rhino Records access to the Laff tapes in 2004. These tapes, including the entire Craps album, form the basis of the double-CD release Evolution/Revolution: The Early Years (1966-1974).

In 2003, a television documentary, Richard Pryor: I Ain't Dead Yet, #*%$#@!!, came out. It consisted of archival footage of Pryor's performances and testimonials from fellow comedians such as Dave Chappelle, Wanda Sykes and Denis Leary of the influence Pryor had on comedy.

In 2004, Pryor was voted #1 of the "Greatest Standup Comedians of All Time" by Comedy Central. In a 2005 British poll to find The Comedian's Comedian, Pryor was voted the 10th greatest comedy act ever by fellow comedians and comedy insiders.


 

Death

Pryor died of cardiac arrest at the age of 65 in an Encino hospital at 7:58 a.m. Pacific Time on December 10, 2005. He was brought to the hospital after his wife's attempts to resuscitate him failed. His wife was quoted as saying that "at the end there was a smile on his face."

Discography


Richard Pryor's Astrological Birth Chart


Compilations and repackagings


Filmography

External links

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